Ceramic ritxoko doll. Female figure sits cross legged, holding in her lap a small child. The woman has thick brown hair that sits high on her head and flows past her shoulders, and an oblong face with painted features, including orange brows and brown chin tattoo. Her torso and legs are painted with orange and brown lines, including a design of triangles down her stomach. The child’s face is obscured by its hair, and its torso is covered in painted brown lines. Hands are orange. One arm reaches around the waist of the female.

• Cultural Context

  When the various Iny groups were first contacted by Europeans in the 18th century their total population was estimated to be around 9,000. Persecution and slavery led to a precipitous decline, and by the early 20th century less than 600 individuals were left, facing possible extinction. As part of the “developmental” policies of successive Brazilian governments, their lands were occupied by cattle grazers and industrial farmers, and their rivers exploited for commercial fishing. But against the odds the Iny have prospered, and by 2014 their population had rebounded to about 4,000 people.

• Iconographic Meaning

  Ritxoko Kuladusé and Kuladadu Wykodu represent, respectively, a married mother of one and a lap child. In modern style with full arms clearly moulded.

• History Of Use

  The Iny (formerly known as Karajá) are known for their ceramics. Only elder women make ritxoko clay dolls, which are now an important source of income as well as a source of subjective and symbolic inspiration to redress the wounds of violent colonial occupation. Iny society is organized around extended families of three or four generations. There is a deep divide between male and female practices. As they approach puberty, young girls are offered a set of ritxoko clay dolls to play with. These represent a family and include both boys and girls of various ages. Contemporary production includes both modern and old styles. The modern style is more realistic while the old style is less complex technically, with the arms placed close to the body in female figures, for instance, and signified only by shoulders in male figures. Both old and modern painting styles are highly conventional and replicate the complex body painting the Iny use to signify status from cradle to grave. The Karajá dolls "Ritxòkò" were declared intangible cultural heritage of Brazil in 2012.

• Specific Techniques

  Black pigment is created by mixing jenipapo fruit (Genipa americana) with coal, and red from the seeds of the shrub urucum (Bixa orellana).

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• Type of Item figure
• Culture Iny
• Material clay, paint
• Measurements height 20.2 cm, width 9.8 cm, depth 8.6 cm (overall)

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• Field Collector Nuno Porto
• Previous Owner Nuno Porto
• Received from Nuno Porto, Museum of Anthropology Exhibitions Budget

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• Made in Ilha do Bananal

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• Creation Date during 2015
• Collection Date during October 2015
• Ownership Date before June 20, 2016
• Acquisition Date on June 20, 2016

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• Item Classes ceramics
• Condition good
• Accession Number 3182/0020