RRN Basic

A simpler, search-only version of the Reciprocal Research Network. This site is optimized for mobile devices like your smartphone, but works well with older computers and browsers too.

To search, simply enter your query into the box at the top of the screen.

Visit the full RRN for access to more powerful search and collaborative research tools.

Jala Raksaya

MOA: University of British Columbia

3392/23

A watercolour painting which depicts a spiritual being with the head of an animal at its feet. The being has green skin and four arms. It is wearing a red skirt that ends just below the knee and curls outward at the hip. The bottom of the skirt has a border made up of white, red, blue, and black horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waist. Decorative bands encircle the being's biceps, wrists, and ankles. There is an additional adornment around its neck. The being has large, round eyes and a grinning fanged mouth. It is wearing a headpiece that comes to a point on both sides. Two large discs protrude from the sides of its head. All four of the beings arms are held up at its sides. One of them is holding a long, triangular object with a handle. The animal head at the being's feet is white and horse-like, with a long face and short, black mane. The painting's background is yellow, and a rectangular black border surrounds the image. Blue and white oblong rings radiate from the being's head and shoulders.

  • History Of Use

    The imagery is possibly associated with ritual healing in Sri Lanka. The set of watercolours (3392/3-34) is said to depict spirits that inhabit planets, or deviyo (minor gods) or rakshas and yakkas (evil or mischievous beings). These beings are often depicted in masked dances and exorcisms.

  • Iconographic Meaning

    Identified as a Raksha (demon)/Yakka; mischievous or evil.

  • Narrative

    The collector, Dr. Michael Egan, wrote his doctoral thesis on healing rituals in Sri Lanka. His fieldwork was carried out in the south of Sri Lanka, in the village of Kadurupokuna (Hambantota District), between Sept. 1965 and Nov. 1966.

  • Type of Item painting
  • Culture Sinhalese
  • Measurements height 37.2 cm, width 27.4 cm (overall)
  • Previous Owner Michael John Egan, Carol Egan
  • Received from Carol Egan
  • Made in Sri Lanka
  • Creation Date between 1960 and 1966
  • Collection Date between 1965 and 1966
  • Ownership Date before 1977, before October 2, 2019
  • Acquisition Date on October 2, 2019
  • Item Classes paintings; works on paper
  • Condition good
  • Accession Number 3392/0023

Keyboard Shortcuts