A watercolour painting which depicts a spiritual being with two birds perched on its shoulders. The being has red skin, three eyes, and four arms. It is wearing a blue skirt which ends just below the knee. The bottom of the skirt has a border made up of brown, yellow and black horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waist. The being is wearing a snake-like creature around its neck as an adornment. It has half-moon shaped eyes, a small mouth, and stretched earlobes that extend down to its chin. Its hair and moustache are black. A portion of its hair is pulled up into a round ball on top of its head, and the rest hangs down to its shoulders. A yellow bird sits on each of the being's shoulders, looking outward. The birds have long, curly tails, wings with red edges, and black spots across their bodies. Between the being's teeth is a long green strand which connects to a green, disembodied head at its feet. All four of the being's hands are holding onto the strand, and one of the hands is also holding a y-shaped object. The being is standing on top of a prone human body. The body has brown skin, and is wearing a long blue skirt. It is lying on its back, and its arms are stretched out by its sides. The painting's background is blue, and a rectangular black border surrounds the image. There is a rounded, unpainted section behind the being's head and shoulders.

• History Of Use

  The imagery is possibly associated with ritual healing in Sri Lanka. The set of watercolours (3392/3-34) is said to depict spirits that inhabit planets, or deviyo (minor gods) or rakshas and yakkas (evil or mischievous beings). These beings are often depicted in masked dances and exorcisms.

• Iconographic Meaning

  Identified as a Raksha (demon)/Yakka; mischievous or evil.

• Narrative

  The collector, Dr. Michael Egan, wrote his doctoral thesis on healing rituals in Sri Lanka. His fieldwork was carried out in the south of Sri Lanka, in the village of Kadurupokuna (Hambantota District), between Sept. 1965 and Nov. 1966.

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• Type of Item painting
• Culture Sinhalese
• Measurements height 37.1 cm, width 27.4 cm (overall)

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• Previous Owner Michael John Egan, Carol Egan
• Received from Carol Egan

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• Made in Sri Lanka

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• Creation Date between 1960 and 1966
• Collection Date between 1965 and 1966
• Ownership Date before 1977, before October 2, 2019
• Acquisition Date on October 2, 2019

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• Item Classes paintings; works on paper
• Condition good
• Accession Number 3392/0018